Sound For Film

The first film I worked on sound for was one I, in fact, acted in. I do like to think it informed the process. I was able to see the director, Gavin Doyle's, ideas first-hand.  

The director was creating a film with no dialouge. This gave me a lot of creative liberty to tell the story via sound. Given that the film conveyed a deep sense of dread, demostrating a slow creep towards the abyss, I created sounds that reflect this feeling. 

For my 4th year of university, I took on multiple re-scoring projects. One of the most rewarding was this chase sequence from a 1976 film.