Sound For Film

The first film I composed for was one I, in fact, acted in. I think it informed the process as I was able to see the director, Gavin Doyle's, ideas first-hand.  

The director was creating a film with no dialogue. This gave me creative liberty to tell the story via sound design and scoring. The film conveyed a deep sense of dread, demonstrating a slow creep towards the abyss, I created sounds that reflect this feeling. 

For me, this project was an exercise in pacing. I re-scored a classic French short film which depicts a frantic chase in Paris.

As a one take film, it required a level of discernment in the musical pacing. I decided that the changes in scope, or how far buildings were, would signal changes in the score.